Showing posts with label bridal veil. Show all posts
Showing posts with label bridal veil. Show all posts

A LONG VEIL


Wouldn't you agree since Chelsea's wedding last July there's more of a focus on long veils?  So what constitutes a long veil? Let's start at the ‘finger tip’ length and work all the way down to the twenty-five foot cathedral. Long veils sure paint a romantic mood by way of all that gossamer sheer. Wearing a veil dates back to ancient times and most cultures. The bridal veil in particular has been a symbol of purity as well as mystery in many traditions. Since Biblical times every era it seems has innovated the veil and how it’s worn. Victorians donned yards of handmade laces they passed on to daughters and granddaughters; 1960s brides popularized the pouf veil still stylish today.

Below: Fingertip drop veil tacked to the back of an updo

LEGNTHS

Fingertip-Most popular length; can be worn by nearly every figure type with most silhouettes. Waltz-Falls anywhere between knee and ankle.
Chapel-Considered formal. Extends about a two feet beyond the hemline.
Cathedral-Most formal. Extends three feet or more beyond the hem.
Double Tier-Two layers, typically the shorter one a blusher but not always.

Below: Chapel length drop veil


STYLES
Pouf-
width of veil is gathered at the crown and can be attached to a headpiece. Generally made out of tulle or English netting.
Dropped-Yes, actually dropped onto the head in a single layer of tulle or lace; often bordered with lace or ribbon. A Mantilla is a type of dropped veil.


Below: Cathedral length veil

 Valentino
CHOOSING YOUR VEIL-Most brides will wait till the gown is ordered before making a decision. In addition to complimenting your dress, you’ll need to consider your body type. Petite brides want to create the impression of height. They can wear pouf veils as long as the volume up top doesn’t imitate an Indian-headdress, dwarfing rather than extending height. Also if you’re short, a cathedral length veil isn’t the best choice—even a dropped version with zero density. You can get the drama and extension you need by scaling down to a waltz or chapel length to fit your proportion. Heavier and/or thick-waisted brides look best in a one layer dropped veil tacked onto a bun, falling in a swirl down the back. Go long here if you can. Try keeping your lines back and delicate, avoiding elbow length veils with lots of volume. Ditto veils edged in ribbon; they can form lines across the waist, creating width. If you’re tall you’ll want to keep the poise of your height intact without going over the edge. Go ahead and wear that cathedral veil with your long-trained ball gown. But realize even tall, sylph-like women have limitations. Princess Diana who was a stunning 5’10”, over-volumized her height her wedding day when she piled layers of tulle atop a dress already screaming of über-pouf. Face it, we all have to work on getting the symmetry right.
Generally, more ornamental gowns look best with simple veils, like one layer of tulle with narrow edging or no edging at all; whereas all over lace veils or ones edged with wide borders require a simple gown with little adornment. Your dress might have some exquisite back details you want to show off. If this is the case select a shorter veil like a fly away or net pouf. Want a more romantic look? Try a layer of tulle— preferably in a dropped style that doesn’t fall in creases and folds across your back. Tulle is the best fabric for this; it’s transparent enough without being so opaque to fog detail. If your gown has no train, wearing a chapel or cathedral length veil can create one—especially elegant when bordered in wide-edged lace or there’s a concentration of lacework on the train portion.
AFTER THE CEREMONY-If you’re in a long veil and want to remove part of it for the reception, have your salon work out the fastening system with you and whomever is helping you. Taking off the entire veil? Exactly when during the reception is up to you; it depends on whether you want to be veiled in photos cutting cake, toasting, dancing, etc. Some brides wear their veil the entire day. And I suppose this is because there is nothing quite like a white veil that says . . . Today is the only day I will ever be a Bride . . .

Below: Two different versions of the chapel veil


VEILED


CREDITS
Photography . . . . . . Pixaimage Photography
Veils and gowns . . . . .Amy-Jo Tatum
Makeup . . . . . . . . . Necia Whitmore
Hair. . . . . . . . . Kao Vey Saephanh
Models . . . .. .. . . .Janelle Mills and Libby Gale
Venue . . . . . . . . .San Domenico, San Anselmo, California

 Since Chelsea Clinton's wedding last July, classic veils are suddenly taking the spotlight once again. We wanted to  capture the essence of the traditional bride in all her romantic and time-honored splendor.   From the ethereal beauty of the drop veil to the small tulle head pouf, here is the 2011 veil collection . . . .

 Above: Waltz length double layered white tulle edged in satin ribbon
Going retro doesn't necessarily mean sticking to a particular era. Above, a 30s gown is paired up with an authentic vintage 60s veil. Layers of tulle attached to a lace and jewel embellished Juliet cap give this bride a timeless look.
      

 A gown with exquisite back details like the one above calls for a shorter veil like the petal or fly away in gathered tulle tacked to the back of a chignon.
 Directly above and below: The most dramatic of all veils, the Cathedral veil.  Above is a double layered ivory tulle edged in satin ribbon.  Below: White tulle with Chantilly lace motifs dappled all over . . .

The fingertip style veil above has long been the most popular length for brides as it goes with just about any style dress. Here we've matched it up with traditional ivory lace and taffeta.

 
Contemporary brides love the new tulle poufs.  Easy to wear, they go from ceremony to reception. with no adjustments and are tres chic . . . 

Above: Silk gauze drop veil floor length drop veil can be wrapped as a shawl; Below: A 3-yard galloon of Chantilly lace makes the perfect 20s style cloche-cap style veil to pair up with a vintage lace gown. 

2010 TREND: THE MANTILLA

mantilla and roses
Flowers by Victoria's Florals Gown and veil by Amy-Jo Tatum Bridal /Photos by S1 Studios
One real hot look for 2010 is the drop veil–or to be more preciese–the mantilla. . . There are actually a few ways of wearing a mantilla. Because this veil lacks density, you can fold it over into a layer and tack it to the back of a bun. You can also literally drop it atop your head and wear it over the face or further back with or without a headpiece. Plastic or metal combs sewn to the center can secure the veil in place. How about an alternative to a traditional mantilla? Try a mock mantilla veil, which has low dense gathers and is cut into one or two tiers. Lace is then added to the edges. A cascading mantilla is another option and has a top layer worn over the face. For a really extraordinary effect, Alencon, Chantilly or Venise lace can be hand beaded. The above version is a square of tulle bordered with Chantilly lace . . .

LAST MINUTE HEAD CHIC FOR THE HOLIDAY BRIDE

Maybe you're one of those brides who got the gem of a dress and put off getting your veil or head wear till later. Surprise! Tigerlilly has some magnificent head chic for winter. Check out the tarnish resistant rose petal hairpins above made out of Swarovski crystals. Sterling silver or gold with various colors available.

Below are just a few of Tigerlilly's headpieces and head jewelry. Notice how some look like clusters of snowflakes?














Birdcages are so in vogue now right now. These veils are easier to wear than the chapel or cathedral veils. Short and compact, a Birdcage can carry you through ceremony to reception to dancing till the wee hours of morning with little or no adjustment. . .




More Swarovski snowflakes . . .



Who says you can't wear brown netting if you're a bride? Darker colors pick up and compliment your complexion in the winter night light.

SMALL VEILS FOR FASHIONISTAS


Smoot Photo
Hair by Gayle Parker


Short Petal Veil /Henley Photography


There’s no rule anymore about pairing short veils exclusively with street length dresses. Whatever guidelines exist these days have more to do with following your proportions and sense of style. The shorter ‘fashionista' veil is gaining in popularity. Why? Short veils are out of the ordinary –very outside the traditional bridal box right now. There's something chic, even edgy about a bride sporting one. As early as the 1990s, Vera Wang reinvented pairing short, pouf veils with very formal gowns. Whether she wanted to show off the extraordinary back details of her gowns or usher in a new look, I don’t know; I only know the juxtaposition this duo created worked.
Brides say the best thing about wearing a shorter veil is, they don’t have to do any adjusting in that switch from the solemnity of ceremony to big time partying hearty. Short veils are easy to maneuver around in and stay put whether you’re exchanging vowels, cutting cake or dancing,
Typically they are made out of either tulle, the standard light weight bridal veiling, or, netting—wider and crisper, offering a more structured and chic look






STYLES
Bird Cage or Net Pouf-Made of either netting or tulle, this veil falls above the shoulder line. Since it’s a shorter style, it tends to look structured, more hybrid of headpiece and veil. Great for fashionistas.


Net Pouf below and opposite
Photo by Ron Greystar





















Blusher or Flyaway-Typically the length veil worn over the face during the ceremony. Can also be worn shoulder length in layers. Although considered informal, this is the choice of some chic, formal-gowned brides.
The Petal Veil-Pictured right is above the shoulders and the front curves something like flower petals opening.


ejones photography

Scarf-Great option for the bride going informal. Some scarves though would pop and rock with the right formal gown as well.
Nose Veil-Typically worn over the face and attached to a headpiece or hat like the one pictured below.

Henley Photography Hair by Kathie Rothkop Make-up by Rob Ward